Massimo Margaria

Born in Turin (Italy) Massimo Margaria began his studies at the Teatro Nuovo di Torino and graduated in 2009. He then attended the Scuola Balletto di Toscana from 2009 to 2010.

The dancer has worked in several companies as a soloist. This is the case of the Royal New Zealand Ballett, Augsburg Ballet, Theater Opera Florence, Theater Massimo di Palermo, Company CDE Dance Rome.

Moreover, he has danced as a corps de ballet in companies such as Ballet Irleand or Ajkun Ballett Company New York and as a junior in companies such as Company Ballett of Tuscany or Company Teatro di Turin.

Margaria has danced in several productions such as Minus 16 by Ohad Naharin’s; Happy little things by Assure Barton’s; All that remain by Filipe Portugal; Nutcracker by Morgann Runacre;Strokes through the tail by Marguerite Donlon; In midsummer night’s dream by Liam Scarlet; The vertiginous thrill of exactitude, In the middle somewhat elevated and Step text by Forsythe dancing with Sylvie Guillem; Petit more and Sechs tance by Jiri Kilia, Arlesienne (Fredric) and Carmen by Roland Petit; Selon deseo and La boda de Adonis; Episode 31, Cacti and Tuplet by Alexander Ekman; Verflixto nahe by Georg Reishl; Four temperamento (Melanconic) by Balanchine; The piano (George) by Jiri Bubenicek; Peekaboo and Le specre de la Rosa by Marco Goecke; Giselle by Ethan Steifel and Johan Kobborg; Medea by Angel Rodriguez; Romeo and Juliet by Young Soon Hue; Murmur and spill by Stephen Shropshire; Where I end and you begin by Edward Clug; Sylphide (James, Gurn); Swan Lake; Sleeping Beauty and Don Quixote (Basilio).